This poem is about the weight of stolen creativity, systemic inequality, and the silence forced on those most marginalized. It’s a reckoning, a declaration, and a visual picture of frustration and resilience.
“End game”
Paying artist who live in poverty
for published
creativity.
K
N
O
W
I
N
G
history stole from the likes of us. ..
Those most used to
others
taking… figurative
remote
Controls
L
I
C k
I
N
G
mute.
Voiceless &
left
to
suffer in
i
l
e
n
c
e
.
Misery, I guess,
doesn’t get company
unless it’s
misery experienced
By
one
Significantly more
P.R.I.V.I.L.E.G.E.D.
than
the
likes
of me or you.
a fate I
wouldn’t wish
on an enemy.
A life stuck to never escaping
poverty
Look at that!
they
a
k
e
the boot off their neck,
press it
into yours
and still claim
they’re a
victim
’cause OHHH-nooooo,
look,
he thinks human worth
works on
hierarchy…
Bet
I
get the
LAST
A
U
G
H.
-An Axton N.O. Mitchell original
In the end, survival isn’t close to quiet. Justice isn’t near polite. The final laugh isn’t soft, but it’s deliberate, loud, and well-overdue. This poem is a reminder that even when history and systems try to erase us, our voices, our work, and our defiance endure.


Say it. Don’t spray it.