Author: poeaxtry_

  • The World Burns, and We Scroll: Bearing Witness to Genocide, Greed, and the Price of Empires

    The World Burns, and We Scroll: Bearing Witness to Genocide, Greed, and the Price of Empires

    We live in a world that feels like it’s cracking under the weight of its own reflection.

    As of 2025, humanitarian crises and genocides continue across the globe, largely ignored or exploited by the same systems that profit from their pain. In Gaza, tens of thousands have been killed and displaced as infrastructure collapses and access to aid remains restricted. In the Democratic Republic of Congo, the cobalt and coltan mined by children still power the batteries of our phones, laptops, and electric cars. And in Sudan, an ongoing civil war has displaced millions, yet receives almost no media coverage compared to Western conflicts.

    Meanwhile, Americans scroll and spend, buried under debt, inflation, and propaganda. While, being told that freedom can be found in the checkout aisle or the next algorithmic distraction comes along.

    This poem was written as both confession and confrontation: a moment of truth-telling from within the belly of a capitalist empire that feeds on silence.

    Poem:

    “The World Burns, and We Scroll”

    I wake beneath the hum

    of screens,

    each one a sermon preaching more for sale,

    their glow a ghost of what we lost…

    to comfort,

    convenience,

    and compliance.

    The world burns,

    not metaphor,

    not news,

    she just burns.

    In Congo,

    in Sudan,

    in Palestine,

    children trade their breath for minerals.

    Their parents’ lives

    for borders drawn by hands

    that never had to bleed.

    Their cries travel

    through copper veins

    to light our phones, our news feeds,

    our many, many screens.

    The guilt, we share.

    We spend.

    We pretend.

    America,

    land of the barely living wage,

    where grief is taxed,

    and outrage costs extra.

    We chant freedom in discount aisles

    while bombs hum lullabies abroad,

    and children go to bed with dread

    fed by hunger.

    You’ve got to start to

    wonder.

    We are not free.

    We are stitched into these machines,

    screaming between algorithms.

    We need only to bear witness,

    to cradle a world that keeps unraveling,

    to tell everyone still fighting:

    we see you.

    Even if our country won’t.

    May every dollar dripped in blood

    rot back to dirt.

    May every empire collapse

    under its own reflection of depravity.

    May mercy outlive profit.

    May love…

    unfiltered, defiant, unbranded,

    outlast the hands that sell it.

    And may God hope He isn’t real

    after what He’s let these children

    feel.

    The violence unfolding in Palestine, Congo, and Sudan is not distant. It is wired directly into our daily lives. It is in our consumption, our comfort, our denial. Every tap, every scroll, every “neutral” stance allows empires to continue unchallenged. Bearing witness means refusing silence. It means calling it what it is: systemic greed, colonialism reborn, a global machine powered by both apathy and profit.

    But awareness can still become action. Sharing verified updates, supporting on-the-ground organizations like Doctors Without Borders, UNRWA, Refugees International, and Congo Relief Missions, or simply breaking the silence in our own communities. Each and every act chips away at the narrative that tells us we are helpless.

    Art alone cannot stop war, but it can refuse to let it vanish unseen.

    This poem stands as both lament and rebellion… against complicity, against erasure, and against the idea that humanity can be priced.

    Poet’s Note:

    I wrote this piece as an American who has grown exhausted by the repetition of history. We are watching the same injustices dressed in new slogans. We are taught to chase comfort while others are buried beneath it. This poem is not just grief; it’s a refusal to look away.

    If you read this and feel angry, good. That means you still have something the system hasn’t stolen, your empathy. Hold on to it. Use it. STAY WOKE!

    Because the world is burning, and still, somehow, we have the power to bear witness, to refuse to forget, and to keep telling the truth.

    Links. Portfolio. Poetizer

  • When History Repeats: The New Attack on Rights and Justice in America

    When History Repeats: The New Attack on Rights and Justice in America

    What historical event fascinates you the most?

    History as Mirror

    We often think of major historical tragedies… such as the transatlantic slave trade, the treatment of people of color during and after the civil-rights movement in the United States, or the Holocaust, as distant. Important. Horrific. But past. What is less comfortable: the patterns they formed still echo today. And we may be witnessing a new chapter of systemic threat. But this time, not abroad or in previous years , but in our own country right fucking now.

    From Slavery to Civil Rights

    The oppression of not white Americans through slavery and the trail of tears (and many other horrible historical events) created generational trauma, economic disparity, and social exclusion. The civil-rights era sought to dismantle legalized segregation and voter disenfranchisement. These struggles were about identity, dignity, belonging, equality of rights. Americans rightly look back and say: “Never again.”

    But “never again” only works if we recognise the signs when they return. Never again only works if we are not continually doing the same damn shit just in other ways.

    The New Frontline: Rights Under Fire

    Transgender Passports & Identity Documentation

    In early 2025, the Donald Trump administration issued Executive Order 14168 titled Defending Women From Gender Ideology Extremism and Restoring Biological Truth to the Federal Government. The order declared that federal documents must align with “biological sex at birth.” 

    As a result, the U.S. Department of State suspended changes to gender markers on passports and revoked the “X” gender designation option for many applicants. Which affects many people who aren’t trans but are intersex and left to figure it out.

    Legal action followed. A federal judge blocked parts of the policy that prevented transgender and non-binary Americans from obtaining accurate passports, recognising the policy was likely unconstitutional. 

    But the damage is real. People have been forced to use documents that mis-mark their gender, creating risk and exposing identity. In other words: state-sanctioned mis-identity.

    SNAP Cuts and Food Insecurity

    Around 42 million Americans rely on the Supplemental Nutrition Assistance Program (SNAP) for basic food security.  The government shutdown and refusal to allocate contingency funds means SNAP payments risk being withheld starting November 1, 2025. 

    When we compare this to historical deprivation of rights and access, for example: poll taxes or economic exclusion of minorities, the parallel is stark. Denial of sustenance is denial of dignity. Most Snap recipients are your friends, the workers, the disabled, and the elderly. As well as the children the party that is causing this is so quick to claim they care about.

    Deployment of Troops and Erosion of Checks & Balances

    In 2025 the Trump administration has explicitly floated deploying the Army, Navy, Air Force and Marines into U.S. cities, bypassing traditional guard & civilian limitations. 

    Cities led by Democratic governments have seen National Guard troops deployed despite objections from local authorities. For example, Washington D.C., Los Angeles, Portland, and even West Virginia?

    Legally this raises questions of federal overreach, the Posse Comitatus Act, and state sovereignty. When the military becomes an instrument of domestic policy without proper checks, the separation of powers erodes.

    Moreover, framing transgender people, activists, or political opponents as domestic “threats” or “Antifa” emboldens the machinery of suppression, another echo from historical oppression.

    Why This Matters

    When identity is controlled (who you can say you are, what documents you carry), then belonging becomes conditional. When access to sustenance (food stamps) can be politically withheld, then the social contract falters. When the military is repurposed to internal enforcement without clear guardrails, then the rule of law and democratic accountability are at risk. When these issues disproportionately target minorities: trans people, racialised communities, the poor, it reflects the same structures that enabled slavery, Jim Crow, Nazi bureaucracy.

    Who’s Affected

    Transgender and non-binary people facing documentation that erases or mis-represents them, as well as intersex people. Low-income families reliant on SNAP who may lose assistance, elderly, working class Americans, and people with disabilities. Not to mention the cut local economy will face without snap being pumped back into it. Communities in states where federal troops may intervene despite local governance. Allies and minority voices who stand for change, inclusivity, and equity.

    What We Can Do

    Raise awareness: Highlight these issues in your networks, your blog, your community. Support legal advocacy organisations: American Civil Liberties Union (ACLU), Lambda Legal, etc. Document personal stories and amplify minority voices who are most impacted. Push for structural policies: Transparent oversight on troop deployments, secure funding for social programs, identity-affirming documentation rights. Build inclusive publishing forum to centre voices that are excluded, silenced, or under-represented.and most importantly create community and help one another when you can!

    Don’t Be Silent

    The historical parallels are evident. This is not hyperbole, it’s reality. And if we don’t write it, publish it, challenge it, then we risk letting history’s darkest chapters repeat. Use your voice. Raise the spark. Let every word matter. What side of history will you look back and be able to say you were on.

    Because when the lines blur between democracy and dictatorship, when troops march where civilians should walk… we have to ask… where is fucking NATO?

    Links. Portfolio. Poem.

  • A Lesson in Indie Promotion: When Paying Doesn’t Guarantee Priority

    A Lesson in Indie Promotion: When Paying Doesn’t Guarantee Priority

    Where it started:

    As indie authors, we’re constantly looking for ways to get our work seen, and sometimes we pay for services that promise exposure, listings, or spotlights. I recently had an experience that reminded me how important it is to know exactly what you’re paying for and, how things can still go sideways, even when you follow the rules.

    Here’s the full story:

    I paid for a premium promotion service that promised to list and feature my books. On the first day, I submitted all of my materials: titles, synopses, blurbs… exactly as instructed.

    Initially, the platform’s owner told me to submit via messages, but it turned out the correct process was to submit on their website.

    Honestly, if I’d been given the correct instructions from the start, I would have submitted everything on the website that first day, and this entire situation could have been avoided. Instead, I was given wrong directions & I ended up waiting, checking the site multiple times, and ultimately being the one who suffered

    I didn’t know this at the time. Over the next month, I waited and followed up checked the sight multiple times to see if anything had gotten posted as promised.

    I simply wanted to make sure I wasn’t being left behind while they focused on attracting new paid subscribers. Despite all my patience, silent checks, one actual check in, only one author spotlight, and one book listing went up.

    Frustrated, I reached out after more than a month since having paid. Instead of resolving the issue, the platform issued a refund. I wasn’t trying to cause trouble! I even offered to pay again because my goal wasn’t the refund; it was simply getting the posts I had paid for. Though I was informed that I should have put them on the website not in the chat as i was instructed to just prior.

    Throughout, I apologized if my messages came off as rude and clarified that my only concern was making sure my work wasn’t overlooked or forgotten (I get it) in their push for new paying clients. Because let’s face it it’s easy to forget one thing when focusing elsewhere. I wasn’t even mad I just wanted to make sure all was well.

    The takeaway for indie authors:

    Check the process thoroughly before paying. Make sure you understand exactly how subscribe and listings work. Document everything. Keep a record of submissions, communications, and timelines. Follow up professionally, but be aware of limitations. A refund may resolve payment and I am glad I got at least that , but it doesn’t replace lost exposure or wasted time waiting.

    Advocate for your work. Paid services are tools, and not guarantees. Your work’s visibility still depends on how well you communicate and follow up.

    Paying for exposure is only effective if the platform has a system that honors it. This experience was frustrating, but it taught me to be proactive, organized, and realistic about what paid services can and, can’t do for indie creators.

    It is still rather upsetting I was just attempting to touch base after over a month of radio silence and I get snubbed.

  • A Poet’s Reflection on Isolation, Freedom, and Staying Human

    A Poet’s Reflection on Isolation, Freedom, and Staying Human

    How much would you pay to go to the moon?

    How much would I pay to go to the moon?

    Who told you I even want to go?

    People talk about it like it’s the peak of human achievement, a one-way ticket to transcendence.

    But to me, it sounds like paying for a coffin with a window view of all you ever knew.

    I’m not scared of space. I’m scared of losing place. I’m scared of being stuck.

    Up there, there’s no wild air to breathe in deep when the world feels heavy.

    No green. No stream squeals and screams. No dirt under my nails. No weed to slow the mind into rhythm.

    No poetry sparked by sound, scent, or struggle.

    No pulse of the living world to remind me I belong to something bigger.

    And beyond that

    No community. No music. No protest. No shared fight.

    No one to stand beside when things burn and rebuild.

    No humanity at all, just survival, static noise, and whomever you share the space sarcophagus with.

    I wouldn’t go because I’ve learned what real silence costs.

    Because I’ve lived through isolation that felt like space already…

    rooms without voices, days without meaning, and too much time to think.

    The moon isn’t a dream; it’s an echo chamber. I love the moon from down here.

    You take your ghosts with you and have nowhere to bury them.

    I wouldn’t go because I crave creation… the kind that needs mess, motion, and other people.

    Because art needs chaos and communion, not vacuum and a single view of all the things that matter to the writing you do.

    Rebellion, love, and language don’t bloom in sealed suits and static solitude.

    I wouldn’t go because I like being alive here.

    With dirt and noise and trouble and tears.

    With the freedom to wander, write, smoke, rage, and rebuild.

    With every imperfection that makes this world worth saving.

    So no I wouldn’t pay to go to the moon.

    I’d pay everything I have to keep this planet breathing and to keep myself creating on it.

    Plus what the fuck would I do without my Luna doggy, my partner, and friends.

    Do you want to go to the moon? Do you see it differently than I do? Tell me in the comments or in your own post.

    Poeaxtry’s 🔗

    Portfolio

    Substack

    Poem

  • Kelso 2 Poetry Zine Launch: Mature Love Poems by Poeaxtry | Digital PDF + Mystery Extras

    Kelso 2 Poetry Zine Launch: Mature Love Poems by Poeaxtry | Digital PDF + Mystery Extras

    Kelso volume 2 by Axton N.O. Mitchell a zine for his partner
    Kelso Volume 2

    Kelso: 2

    The Kelso 2 Poetry Zine has officially launched! It’s the 2nd edition in the Kelso Collection. This edition captures poetry from our 3rd and 4th years together, exploring a love that is mature, real, and beautifully flawed. Kelso 2 isn’t about the rush of new romance; it’s about the moments that come after. Here is where the patience, honesty, and quiet strength that define enduring connections comes into the picture.

    Highlighted pieces like “You Are Not the Sun” reflect the truths of lasting love: life goes on if someone is gone, but their absence changes everything in subtle, poignant ways. Every digital download of Kelso 2 includes six hidden mystery extras woven into the PDF. Through hidden words and QR codes, designed to make every reading experience personal and immersive.

    Where it started:

    Kelso volume 1 a zine for his Partner by Axton N.O. Mitchell
    Kelso volume 1 where it started

    The first Kelso zine started as a handmade, one-of-a-kind gift for my partner. I started making digital zines later and, the natural thing to do is to immortalize the personal physical copy as a digital item as well. Kelso is about love that is new and exciting, while also adapting to reflective and enduring love. Kelso 1 introduced readers to the thrill of early connection, while Kelso 2 you will see a new side of me that dives into realistic, patient love that lasts. Together, they form the Kelso Collection, a cohesive, poetic exploration of human relationships.

    New options for ease of access:

    Excitingly, the Kelso series (and all my other zines & ebooks also) will soon be available on Google Play Books. We are currently awaiting verification, but the files are already prepared and ready to launch as automatically when approval is complete. This will make the collection accessible to more readers worldwide, expanding the reach of Poeaxtry’s indie poetry zines & ebooks while keeping the curated, intimate experience of the PDF format intact.

    Written & Curated by Poeaxtry and Published by Poeaxtry’s Poetry Prism, the Kelso series continues to push the boundaries of indie poetry, combining authenticity, relatability, and the immersive experience of hidden digital content.

    Whether you’re a long-time Poeaxtry reader or discovering the zine for the first time, Kelso 2 is your invitation to explore love beyond the surface, paired with surprises that make the reading experience unique.

    Available now:

    Etsy Gumroad Payhip

    And soon, Google Play Books!

    So stay tuned for the official launch.

    💌 Access & Community Options

    If you don’t currently have the funds for a zine or ebook, I’m always happy to make it accessible. You can:

    Become a reviewer: submit here

    Trade art or curated items for zines/ebooks: submit here

    While the reviewer form is for just that the trade form is just the general contact form. So just let me know what you wish to trade for what and your best contact information to reply.

    Everyone deserves to experience art and literature, so I help where I can by keeping my curated collections accessible. With these options I am able to destroy the paywall while also leaving the option to support my indie community projects and goals.

    Poeaxtry 🔗

    Portfolio

    Journal

  • Living Freely: My Five-Year Leap Into Full-Time Creation

    Living Freely: My Five-Year Leap Into Full-Time Creation

    What’s the biggest risk you’d like to take — but haven’t been able to?

    What’s the biggest risk I’d like to take but, I haven’t yet?

    Walking away from the time clock for the most part and toward the trailhead.

    See, I’m an STNA (that’s Ohio’s term for CNA everywhere else. We just had to be the different one). I love what I do. Yes we all need money to live in this hellscape. But I love it not for the paycheck, but for the people. The elderly deserve care from those people who care to be there. However, I also dream of caring for my own future with the same hands that hold theirs.

    The risk?

    Transitioning from working full-time and then some weekly for someone else’s company to working full-time for myself for Poeaxtry_.

    My goal is that with-in the next five years, I will flip the ratio.

    I want Poeaxtry_ to sustain me, not the other way around.

    I can only imagine being able to wake up and know that my “job” is carving smiles into stones, engraving good karma into keychains, and polishing perfect statement pieces. All from rocks I’ve hounded myself.

    To be able to sell handmade spell bags, wands, tinctures, sprays, and charms born from dirt and devotion not just in my spare time.While I also publish solo poetry collections (mine and other people’s) and community anthologies that spark conversation, change, and creativity not just sales.

    Having a designated divination room, sounds so good almost too good to be true. A place for friends and new folks to get readings: pendulum or tarot. Readings set-up virtually or through local appointments.

    Imagine being able to travel, explore, hike, forage, and rockhound in the wild. While sharing accessible adventures for those who can’t get out there. Or can, but need the guidance to do so safely.

    Hosting open mic nights that echo through real and virtual rooms along with silent art galleries that speak without sound. Creating and collaborating under The Prism, where inclusion and artistry collide.

    I will not wait for retirement to live.

    I want to be able to grab my tent, my dog Luna, and my laptop, (other essentials obviously) and just go.

    I can just see it now: a few nights backpacking through forests, collecting stone from stream, writing wildly under the moonlight. Where the only deadlines are sunrise and the next cup of coffee.

    The poetry I’d write out there untouched, unbothered by society’s static crust.. would probably make my current work look like warm-ups. Honestly, I’m so ready for that.

    The biggest risk I haven’t taken yet isn’t quitting, but it’s believing, fully, that I can.

    Five years from now, I plan to look back and laugh that I ever questioned it.

    One thing I am no longer willing to do is give more of me to the “man.” The shackles that have me captive to society and cities are becoming loose.

    Links. Portfolio. Discord. Journal

  • Respect Isn’t Optional: Transphobia, Cowardice, and the Workplace Reality

    Respect Isn’t Optional: Transphobia, Cowardice, and the Workplace Reality

    This isn’t a poem.

    It’s a truth that’s been festering too long.

    Just so you know it’s not hard to let transgender people exist. It’s not hard to let any minority exist. Especially at work, where the only thing anyone should care about is whether or not we’re doing our damn jobs.

    I’ve never once forced anyone to call me by my name or my pronouns. But Axton is my legal name. So if you wanna call me by my birth name, figure it out, babygirl. You’d still be too scared to say it to me. And I bet $100 bucks you couldn’t even pronounce it.

    I’ve never cornered someone, never demanded, never begged for respect. I don’t give a rat’s ass, honestly, but we’ll get to that. If you choose not to use my name or pronouns, that’s on you.

    But here’s the thing if you can’t show me common human decency, I don’t owe you any either. And when you’re a coward about it, I don’t get the same chance to return the disrespect, or the chance to be the bigger person and not act like an 8th grader who is in my at least third decade of life.

    It’s not even about the pronouns. It’s about the fake. The ones too scared to stand up and say it with their chest, who suddenly find courage the second they think it’s safe to be a little bigot bitch.

    They laugh with you, the “we’re cool” smiles melting into whispers as soon as you walk away. The stale energy when you walk in. The way they act like you can’t hear them. As if they aren’t obvious. Yet somehow, they never have the guts to be real about their transphobia when they’ve had every chance.

    I’m really not stupid.

    My ears don’t shut off when I leave the room. But your mouth sure seems to work better when I’m not around.

    You think I don’t know? Please. I was born at night, but it wasn’t last night.

    If you don’t respect me, fine. Be real about it. I’d have way more respect for the person who misgenders me to my face than the one who waits until my back is turned. Because that kind of cowardice? That’s lower than bigotry. That’s weakness.

    I’ve worked at a lot of nursing homes… some as agency, others as staff… and I’ve seen transphobia in every single one. It slides under the radar almost every time, even when you bring it to the right people. One place even had a specific anti-bigotry clause in their handbook.

    Yet when two aides started telling everyone I was a delusional woman who says she is a man yet “has a pussy,” HR never got back to me. I called weeks later and was told that “the problem” said everything was fine now. Sure it was. So I quit. I don’t have to deal with sexual harassment. Since when do we ask the problem if there’s still a problem?

    Someone always says, “Hey Axton, I heard this said about you…”

    Funny how nobody ever knows who said it though. Just a pile of whispers, recycled jokes, and other people discussing that I’m trans, calling me a tranny, or exclaiming “I did not know Axton was a woman!” As if they’re not just announcing my anatomy to the world.

    Let’s get one thing straight: you refusing to call me Axton or a man doesn’t change my LEGAL name or LEGAL gender. Just like saying trans people don’t exist doesn’t erase our existence.

    It doesn’t shave the beard off my face which, by the way, probably looks better than your man’s, your dad’s, and yours combined. Yes I see the hair on your face, bold of you to be transphobic with all that. (Body and facial hair on woman is awesome unless she is a bigot!)

    You don’t have that kind of power. You never did. Whose delusional?

    When you bring that childish energy into a workspace, that’s where I draw the line. We don’t have to be friends. We don’t even have to like each other. We are here to do nothing but our job. But it’s not hard to be a respectful person.

    And for the record, I’m no narc. I wouldn’t turn you in or start a fight if you said it to my face. I might buy you a drink and congratulate you for being the first one honest enough to do it.

    At least then, you’d be standing on your own bullshit instead of hiding behind a nervous laugh and a whisper.

    And that’s the real difference.

    I can handle a bigot.

    But a coward? That’s worse.

    Because at the end of the day, this isn’t about being liked.

    It’s about existing in peace while earning a paycheck.

    It’s about basic decency… something you’d think would be easy by now.

    So if you can’t respect me, fine.

    But don’t mistake your cowardice for morality.

    Because I’m still here.

    And your whisper will never be louder than that.

    I’ll be here waiting for you to say it to my face.

    Portfolio. Links. Coffee. Poem

  • The Spill: Vol: 9.5- Kindle Unlimited, Stones, and Surprises!

    The Spill: Vol: 9.5- Kindle Unlimited, Stones, and Surprises!

    📖 Hey, Spill readers — this is Volume 9.5.

    A half-volume. A moment to pause, breathe, and catch you up between the big drops.

    If you missed the last one, Volume 9 was all about Revolt, Solo zines, Collabs, and getting our bodies into motion particularly in nature aka hiking. And now Volume 9.5 picks up where that energy left off.

    📚 Kindle Unlimited + Poeaxtry Publications

    Just in case you missed it or forgot…

    All 3 of my self-published eBooks plus my full prompt journal with poems written to every single prompt are available on Kindle Unlimited.

    ✨ Subscribers can read them all free with their membership.

    Each piece is its own reflection, rooted in resistance, softness, and persistence, poetry that walks through the same dirt paths I do.

    📖 Titles currently live on Kindle Unlimited:

    “Beginnings & Endings”

    “Because I was Prompted”

    “Ramblings of the Lost and Found”

    “I like to read; you like to watch the life drain out of a person.”

    🚨 Zines aren’t on Kindle Unlimited… yet.

    You can still find every zine and eBook digitally on Etsy, Gumroad, and Payhip with more platforms coming soon… as I expand The Prism’s reach.

    💌 Not a KU subscriber? No worries.

    You can request free access to read any of my solo Poeaxtry Poetry Prism publications — all I ask in return is an honest review. Fill the form out here or email me at poeaxtry@gmail.com for any questions or concerns.

    💎 New Creations from the Workbench

    Between edits, submissions, and hikes, I’ve been busy in the studio. And I finally upgraded my jewelry designs.

    The new bales I ordered changed everything: now, each piece dangles freely, no longer cradled by a “ball”. It’s just the stone, the metal, the magic. Though you can still get the stones with the balls & still be able to change stones out. There’s just two options now instead of one!

    They move, catch the light differently, and feel more alive. That on theme with the rest of what’s changing around here.

    Keep an eye out for new listings of stone necklaces and keychains soon on Etsy or Locally at Frogwood Boardshop in Heath, Ohio.

    🌿 Trails, Edges, and Inspiration

    My most recent hike took me all the way to The Edge of Appalachia preserve. A place that felt like standing in two worlds at once.

    The silence out there writes its own poems if you listen long enough.

    There’s something about dirt, stone, and distance that sharpens your creative edges. At least for me it does.

    That trip brought a lot of clarity, and maybe even sparked the next adventure… we’ll see.

    Oh and expect a surprise zine and/or ebook drop sometime. I am honestly, sitting on a few completely finished just waiting for me to give in and, give them to you.

    ✍️ 15 Poems & a Manuscript Out in the World

    For the first time in a while, I submitted 15 poems to publications outside my own press. And for the first time ever I submitted an entire manuscript. Fingers crossed🤞🏻

    It’s nerve-wracking, grounding, and freeing. Somehow all at once.

    Every “submit” click is another way of saying, I still believe in this.

    📢 Collabs Still Open

    Both of the following collabs are still live and accepting submissions:

    💬 Voices for the Voiceless — for marginalized creators and allies speaking on silenced or stolen narratives.

    🌈 The Joy They Can’t Erase — a collection centered on joy, resistance, and unapologetic presence from gender nonconformist voices and allies.

    You can always find details and submission links through The Prism hub or my links.

    💬

    This little half-volume is a pulse check. The proof that even between the “big” releases, there’s always movement here.

    New work, new stones, new trails new seasons, and new stories.

    I am still creating, still showing up, still loud where silence used to live, and even more unapologetic about it.

    Thank you for walking this with me.

    — Axton N. O. Mitchell // Poeaxtry_

    Portfolio. Links. Twitch. Amazon Author

  • Poetry, Hiking, and Building a Grassroots Creative Movement

    Poetry, Hiking, and Building a Grassroots Creative Movement

    What have you been working on?

    Lately, my days have been stitched together with rhythm, motion, and momentum. Between writing, wandering, and building, I’ve been in constant creation mode. Trying to push Poeaxtry_ forward piece by piece, letter by letter, and stone by stone.

    Poetry in Progress

    Poetry remains the pulse of everything I do. I’ve been refining collections, experimenting with new mediums, and returning to the unfiltered edges that started it all. Some pieces are bound for ebooks or zines, others will live on new mediums but, all of them carry my usual mix of grit, grace, and rebellion.

    Hiking Content & Nature Notes

    When I’m not writing or working, I’m outside gathering stories and stones in motion. My hiking content is growing. With new trails, new reflections, and new emotional field notes. Every step through the Red River Gorge or along Ohio’s riverbeds feeds my words and connects the wild to the written. Expect more field journal-style posts, rockhounding creations, and unfiltered snapshots of nature’s poetry.

    Publishing & New Places for My Books

    I’ve been exploring new ways to publish, both traditionally grassroots and digitally independent. I’m expanding The Prism’s reach and testing new outlets for my books to be seen, shared, and supported without compromising creative freedom. Accessibility and inclusivity remain my core goals: every voice deserves space, and I intend to keep building those spaces.

    New Mediums Still Under Wraps

    Some projects are still secret… new mediums, new blends of voice and vision that don’t fit in any current box. Let’s just say they’ll connect the poetic, creative, and digital in unexpected ways. When they’re ready, you’ll know.

    Consistency & Community

    I’ve been working on showing up both consistently and intentionally. Whether it’s posting, crafting poetry collabs through The Prism, or connecting with nature, every move is about growth that stays rooted. I’m not just building a brand… I’m building a movement.

    All of this ties back to my purpose: to create spaces for minority and ally voices, to protect and publish truth through creativity, and to keep Poeaxtry_ alive as more than a name. And as a living, evolving community of creators.

    It’s been a season of creation, collaboration, and quiet groundwork. Every poem, hike, and idea adds another layer to what’s coming next. And a stronger community, a louder voice, a deeper impact.

    Want to grow with me?

    Follow Poeaxtry_ for prompts, collabs, and updates on the next wave of releases, and if you’re a creator looking for a home for your words, The Prism is always open.

    So now I ask you what are you working on? Where are you showing up for yourself or others?

  • Buzzard Roost Hike & Serpent Mound: Southern Ohio Day Trip

    Last night I excitedly set my alarms for 7:00am, 7:05am, and 7:10am. I was awake and in the shower by 6:15 am. I set my clothes out and had my hiking sack packed all up before bed as well. Three different charger types, two battery packs, a selfie stick/ tripod, a notebook, sharpie, pens, first aid kit, multiple waters, grinder, cones, jar of weed, flash light, hand sanitizer, and sunglasses in tow. I made it to Starbucks by 7:11am. I typically don’t go there but Sky chose the beverages this morning.

    The Trek Into Edge of Appalachia

    It was a drive of roughly 2 hours and 17 minutes when Skyler, her new friend, the baby, and I hit the road from Sky’s place. Our destination: Buzzardroost Rock Trail, part of the Edge of Appalachia Preserve in Adams County, Ohio. Though many sources list the trail as 4.4 miles round trip with a moderate difficulty, my watch clocked about 6 miles. It maybe the side loops, pauses, and a bit of wandering.

    We arrived to near silence. And only one other car joined us at the lot. The trailhead hosts a small booth run by two men who asked visitors to leave reviews via QR code or by filling a hand questionnaire. I liked that dual option… inclusive, versatile. They are from some organization forgive me for allowing the name to slip.

    The trail winds through mixed woodlands and prairie remnants. You cross several geologic layers: including Estill shale, Lily/Bisher/Peebles dolomites, and Ohio Shale. The preserve’s management protects rare plant communities by asking hikers to stay on boardwalks and overlook platforms. Which we did when I mention wondering around I mean on clearly marked trails to small lookouts and cliffs.

    Elevation gain is moderate, footing can be rooty or slippery, especially after rain . The payoff: when you crest to the overlook, the vista opens wide over Ohio Brush Creek Valley. From that cliff you may spot turkey vultures (buzzards) gliding the namesake of the place. Though I thought it might be have been named because they doo poo on the hand rail at the look out so don’t touch!

    I found a painted rock tucked near the overlook trailhead, with a floral front and a Bible verse on the back (John 3:17). I’m not religious, but the message: “you don’t know what is planned for you.” Was like an echo in that wild place. Yesterday, at Glenford Fort Preserve, I picked up two other painted rocks; I keep them as small tokens of the journey.

    We finished in about three hours including breaks. The trail was clean, the signs clear, and the natural diversity compelling.

    Lunchtime & The Serpent Mound detour

    After the hike we grabbed a quick lunch at McDonald’s not glamorous, but practical. We then drove roughly 35 minutes to Serpent Mound in Peebles, Ohio. This was a perfect mid-return detour. The museum was closed, and the fire tower is under reconstruction, so our visit was limited to the outside paths and overlook.

    Serpent Mound is a prehistoric effigy earthwork shaped like a serpent, extending about 1,300–1,376 feet in length and varying from 1 to 3 feet in height.  Archaeologists have long debated its builders. Early theory favored the Adena culture (~300 BCE) but more recent work suggests possible later reconstruction by the Fort Ancient culture (~A.D. 1000).

    The serpent’s head faces east, often aligning with solar events. And some people believe it marks the summer solstice sunset.  Beneath it lies the Serpent Mound Impact Crater (aka Serpent Mound Disturbance), an eroded meteorite impact structure estimated at ~8 km diameter (5 mi) with an age younger than 320 million years. The unusual geology here likely influenced indigenous peoples’ decision to locate the effigy along the rim. 

    Walking around the coils, tail, and head is haunting. It feels like walking along a living myth, tracing the centuries in soil and stones.

    House of Phacops Rock Shop: Hidden Gem

    A short drive from the mound sits House of Phacops (Alternate Universe Rock Shop) in Peebles, Ohio (29894 State Route 41)  . This shop doubles as a Trilobite Gallery and fossil/mineral store. It’s about 3 miles from Serpent Mound. 

    Tom Johnson, the owner, is well known in fossil circles. The shop features specimens, handmade crystal jewelry, carved items, art, and more. It sits on the southeastern edge of the same impact crater and above a deep fault zone. Some believe this location emits a “positive energy” because of its geology.

    Inside, I scored:

    A small meteor piece which was a free gift. I bought a u.v. glowing chunk of the meteor that struck the mound and a malachite necklace for my sister. I had a Conversation with Ton about his recent trip to mine Herkimer diamonds in New York.

    Seeing that orangutan statue deck to climb was whimsical; it gave a fun, quirky moment in an otherwise earth-heavy day.

    The deck at the rock and mineral gallery in Peebles, Ohio
    I love this awesome find

    Notes on Herkimer Diamonds (for future trips)

    Herkimer diamonds are double-terminated quartz crystals found in Herkimer County, NY. They’re prized for clarity, natural facets, and their “diamond-like” aesthetics. Many rockhounds plan overnight or multi-day trips to harvest them.

    This was one of those travel days that blends the wild, the ancient, and the quirky. Hiking along biodiversity-rich slopes, peering out over hills from high rock, then stepping into time at Serpent Mound, and finally touching pieces of skystone in a curious shop. It all felt like a grounding experience.

    If I go back, I’ll time better: visit the museum at Serpent Mound, climb the reconstructed tower, join a crater geology tour from Phacops, and maybe sneak in an early morning hike to avoid crowds. And yes! I’ll chase those Herkimers next summer.

    If not before then!

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