Tag: self-publishing

  • A Lesson in Indie Promotion: When Paying Doesn’t Guarantee Priority

    A Lesson in Indie Promotion: When Paying Doesn’t Guarantee Priority

    Where it started:

    As indie authors, we’re constantly looking for ways to get our work seen, and sometimes we pay for services that promise exposure, listings, or spotlights. I recently had an experience that reminded me how important it is to know exactly what you’re paying for and, how things can still go sideways, even when you follow the rules.

    Here’s the full story:

    I paid for a premium promotion service that promised to list and feature my books. On the first day, I submitted all of my materials: titles, synopses, blurbs… exactly as instructed.

    Initially, the platform’s owner told me to submit via messages, but it turned out the correct process was to submit on their website.

    Honestly, if I’d been given the correct instructions from the start, I would have submitted everything on the website that first day, and this entire situation could have been avoided. Instead, I was given wrong directions & I ended up waiting, checking the site multiple times, and ultimately being the one who suffered

    I didn’t know this at the time. Over the next month, I waited and followed up checked the sight multiple times to see if anything had gotten posted as promised.

    I simply wanted to make sure I wasn’t being left behind while they focused on attracting new paid subscribers. Despite all my patience, silent checks, one actual check in, only one author spotlight, and one book listing went up.

    Frustrated, I reached out after more than a month since having paid. Instead of resolving the issue, the platform issued a refund. I wasn’t trying to cause trouble! I even offered to pay again because my goal wasn’t the refund; it was simply getting the posts I had paid for. Though I was informed that I should have put them on the website not in the chat as i was instructed to just prior.

    Throughout, I apologized if my messages came off as rude and clarified that my only concern was making sure my work wasn’t overlooked or forgotten (I get it) in their push for new paying clients. Because let’s face it it’s easy to forget one thing when focusing elsewhere. I wasn’t even mad I just wanted to make sure all was well.

    The takeaway for indie authors:

    Check the process thoroughly before paying. Make sure you understand exactly how subscribe and listings work. Document everything. Keep a record of submissions, communications, and timelines. Follow up professionally, but be aware of limitations. A refund may resolve payment and I am glad I got at least that , but it doesn’t replace lost exposure or wasted time waiting.

    Advocate for your work. Paid services are tools, and not guarantees. Your work’s visibility still depends on how well you communicate and follow up.

    Paying for exposure is only effective if the platform has a system that honors it. This experience was frustrating, but it taught me to be proactive, organized, and realistic about what paid services can and, can’t do for indie creators.

    It is still rather upsetting I was just attempting to touch base after over a month of radio silence and I get snubbed.

  • Publishing With Purpose: Uplifting Marginalized Voices with Creative Collabs — by Axton N. O. Mitchell

    Publishing With Purpose: Uplifting Marginalized Voices with Creative Collabs — by Axton N. O. Mitchell

    Current Goals & Future Visions

    🖤📣✊🏽✍🏿🌍

    Right now, I’m just an indie poet, self-publishing, editing, creating, and promoting my own work from the ground up. I’ve only recently started submitting my poetry to outside publications, and I’m already seeing the work pay off. Two LGBTQ+ magazine partnerships are in progress, and I’ve got multiple collections brewing on my own terms.

    But this was never just about me.

    Honestly, if I ever experienced a come-up, would it even be a come-up if I did it alone? If I didn’t reach back and bring others with me? If I didn’t use that platform to spotlight the very people I was once, and still am, standing among? If I didn’t at least try to put them in the same place as I. I mean I can’t make anyone else’s work a hit but, I can at least try to bring anyone who wants to along for the ride.

    The current goal is to build and release themed collections of art and writing created by minority communities, impoverished individuals, and anyone who has been politically or socially silenced. I’m talking about the people who rarely get the spotlight, not because they lack talent, but because the system makes excuses not to see them.

    To pack the punch or add more power and meaning, some collections will also include pieces by true allies. The people who stand firmly with us, even if they are not directly affected. Because sometimes the people on the other side only start listening when the truth comes from someone they view as “like them.” When cis, straight, white people…. No shade but, especially men of average or higher socioeconomic status speak up, other men are more prone to stop and listen. That pause can lead to understanding. And sometimes, that understanding becomes one more changed person, or even the start of what will come to change the person. Allies have a role. Not to speak for us, but to speak with us and to challenge the circles we cannot always safely enter ourselves.

    Each contributor to these projects will have at least one piece included in the final publication, as long as their work aligns with the theme of the project they’re submitting to. In many cases, all of their pieces or many may be featured. The goal is to create a space for minorities to share not to create another loop of submitting their work and then not getting a chance. Art and literature are both things that are not accurately defined by “good or bad” and should be up to each person who has the opportunity to experience the piece. So, no I won’t bother excluding any creator who is in theme and mutually respectful simply because they create art that is not necessarily my taste.

    However, this space does not tolerate bigotry disguised as art or resistance. If it becomes known that a contributor has actively spoken against or harmed any marginalized group, they will not be included. We all have a place. We all belong. But I do not work with people who are not accepting of differences that are not harmful to others. If someone has made appropriate, sincere apologies and shown clear evidence of growth and changed behavior over time, we will reconsider them. But I make no space for underdogs who are just as guilty of stepping on the necks of other oppressed groups to make themselves feel powerful. That’s not resistance. That’s replication of oppression, and it won’t be welcome here.

    After each creator’s final piece a short bio they write themselves will be included, with space for links to their websites, social media, and online stores. This way readers and art lovers can find their favorite contributors. Artists may also opt to remain anonymous, but must let me know in writing if they wish to do so.

    Submissions are open to anyone 18 or older, in any country.

    Because American politics and media don’t exist in a vacuum. Our choices ripple out globally. Pretending they don’t is a privileged stance, and I’m not interested in gatekeeping based on borders. Don’t bother. I won’t be hearing how the world is following the same path Trump is paving against transgender people and yet you somehow don’t see the effect or the cause.

    The Bigger Picture

    This isn’t just a one-off. This is the beginning of something more.

    My long-term goal is to create a full publishing company, one that centers and uplifts the work of marginalized artists, especially those coming from impoverished backgrounds, queer and trans communities, BIPOC artists, disabled creatives, neurodivergent voices, and more.

    A space where we stop handing the mic to cis actors to speak over trans lives. Where we stop letting white actors play all races on screen. Where we stop making queer people audition for lives they’re already living.

    I want to build something that funds and amplifies the real stories of real people. Not inspiration porn. Not watered-down versions. Not token diversity.

    Actual lived experience. Actual voices. Actual art. Here the art or literature degree you hold is the thing that makes you not a fit candidate. When usually it’s used as a substitute paywall. You know, not many people who face poverty get degrees. If they do they have to be lucrative positions. Though situations are and changing if you are a fit and also have a degree I would never want to work against you so please do at least explain how you fit and submit.

    The most important and the least obtainable goal is to offer payment for submissions, paid collab content. I know that you must walk before you run, and I know that offering things for free to read while we grow will boost the ability for the contributors to be heard. However, creating isn’t charity. It’s overdue recognition.

    Call for Core Contributors

    If you’re interested in becoming a core contributing member to these goals, both current and future, please reach out by email or through any of the contact methods listed on my Connection Page.

    Core contributors are not required to submit art or writing to the collaborative projects, though they are welcome to, but instead assist with the behind-the-scenes work. This may include editing, promoting projects, reaching out to other marginalized artists, helping create and plan future collaboration themes, uploading projects to indie storefronts, seeking out new partnerships and visibility opportunities, and helping grow the foundation that will become a fully functional publishing company.

    Expectations and Structure

    Core contribution is voluntary on your part and not automatically guaranteed on mine. Contributors must commit to a few hours each week to the tasks they’ve been approved for. Missed deadlines without prior communication will result in your removal from the contributor list. All work will come with at least one month’s notice. There will be no last-minute surprises. You will always be credited for your work, even if your role is discontinued.

    If you help develop a concept for a collaborative project, that idea may continue to be used by me and the future publishing company, with full credit always given, unless we’ve agreed in writing that it won’t be.

    This is about building something sustainable. Something honest. Something real.

    We grow together. We hold space for each other. We amplify each other’s voices. This is community, not hierarchy. It’s effort, not ego.

    Core contributors are the first to be considered by me when the goal to offer payment for creators is a reality. The eventual need for paid employees will hopefully also be the next step and anyone interested who has contributed previously or currently will be eligible before any new individuals.

    The need to expand and improve may not always be something foreseen and if the company needs to pivot to become a better more successful company we will do so, BUT we will always have the same base core value of creating a space where minorities are listened to, respected, valued, and never spoken for.

    Stay tuned. Stay loud. Stay rooted in what matters.

    Questions? Comments? Concerns? Ready to take the plunge with me? Poeaxtry@gmail.com

    — Axton N. O. Mitchell (@poeaxtry_)

    Links

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  • Taking the Leap: My First Literary Submissions and Early Wins

    Taking the Leap: My First Literary Submissions and Early Wins

    Daily writing prompt
    When is the last time you took a risk? How did it work out?

    The last risk I took was two weeks ago…
    I sent out submissions for the first time to literary magazines. As of today 4/25/25, at approx. noon eastern standard time I
    Have received back 2 approvals and 1 rejection. With a success among poets being a slim 5-20% I would count that as a win.
    Since receiving my first approval I have started a poetry discord to create and grow with other poets and artists, and
    started this word press. I plan to continue to seek publications as well as still self-publishing.
    Thank you for reading.

    🖤 what do you think about the risk I took? Would you or have you taken it? How did it turn out?
    Axton N.O. Mitchell
    @poeaxtry_