Tag: literary activism

  • Day 7 of My 100 Days of Poetry- A  call for: “Creating Curated Change”

    Day 7 of My 100 Days of Poetry- A call for: “Creating Curated Change”


    Day 7 of my 100 Days of Poetry series is about intentional creation, refusing extraction, and building space for voices that are too often talked over, repackaged, or erased. This poem speaks to the act of creating with purpose, not as spectacle, not as trauma currency, but as documentation, resistance, and invitation. It is about community built with care, not permission, and about forward motion that actually follows through.

    Creating Curated Change

    I don’t write of

    trauma

      pain

    life’s unseen stains

    to pass an emotional buck

    Not one to complain

    Unseen pain outside of me

    I do not

    have not

    will not

    seek unsolicited help to

    shoulder a burden that

    no one can claim to own

    outside of me

    I weave words willfully

    immortalized receipts

    capturing points of view

    perpetually prevented from

    participating in literary and artistic

    mind meetings

    Expect me to be

    never

    asking permission

    from a single soul

    and

    stopping for the same

    Current and future people like me

    need opportunity to see

    other people’s perspectives

    that actually relate

    consciously communicate

    No more stolen

    minority

      makers

        manifestations

        through creation

    Curated creative community

    No more requirements of

    status

      education

        plausible politeness past

    wreck the walls that gatekeep creation

    Forward action, curating change,

    no more complaining with zero follow-through

    Creative creatures collect, creating change


    Poet’s note

    This poem was written as a refusal. A refusal to create for consumption alone, to package pain for approval, or to dilute language for comfort. The “curation” here is not exclusion, it is intention. It is about protecting creative spaces from extraction while still opening doors for those who have been historically shut out.

    The idea of “immortalized receipts” speaks to indie publishing minority works both mine and community, to proof of lived experience, and to the power of language as record. This piece centers community that creates with accountability, forward action, and care, rather than performance or proximity to status.

    “Creating Curated Change” is a declaration of practice, not theory. It challenges the idea that creativity must be polite, credentialed, or palatable to matter. Instead, it argues for community built through conscious communication, lived perspective, and actual follow-through.

    This poem invites readers to consider not just what they create, but how, why, and who is allowed to participate. Change does not come from endless critique alone. It comes from collective making, from tearing down the gates, and from building something better in their place.

    Links

    Speaking of community and creations don’t forget you can submit work to our first quarterly by emailing poeaxtry@gmail.com or submitting a form.

    Deadline is 2/12/2926

    Find out more about submitting here

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  • “Women in Red Rooms”

    “Women in Red Rooms”

    Meet Dorthy Jade & “Women in Red Rooms”

    Originally from Austin Dorthy now reside outsides of Dallas. She got her start in radio while she was still an undergrad at UT. Soon after she got bit by the entertainment bug and began appearing in TV series shot locally in Austin such as ABC’s “American Crime,” a Fox Pilot for “Urban Cowboy” among others.

    Dorothy developed her first TV pilot, titled “Fourth Down” and incorporated her own independent production company titled Waymaker Women to produce TV, films and media targeted towards women of color in genre. Her latest project, is a book which marks her debut into the poetry arena. She notes her favorite project was her first TV Pilot that she developed. It was so special to her because it was the first ever project that I created; holds a special place in my heart.

    How “Women in Red Rooms” was birthed

    Dorothy Jade is a writer, storyteller and producer so she came from the world of entertainment. She decided that she wanted to publish and the best vehicle for her was poetry. It’s raw, instinctual and it just allows her to go after depths and uncomfortable truths that she has faced in acknowledging how rage has shaped her as a woman. Dorothy specifically created “Women in Red Rooms” to confront her own rage so that she could transform it into alchemy. Rage doesn’t have to be a crutch that puts you in this freeze state. It can become positive and allow you to heal and reclaim your power, if you allow it.

    Deeper meanings

    For Dorothy Jade, creation is all about autonomy, transformation and representing stories that primarily reach women of color. She knew that the end goal was to always develop worlds within genre that speak to women in a way they haven’t experienced before. Media and entertainment is simply a vehicle for me to expand my imagination.

    Dorothy Jade wants “Women in Red Rooms” to become a blueprint for those seeking a safe room if you will in using their rage for their transformation. You can use your anger and turn it into something meaningful, creative or healing. Rage isn’t the monster, here. You’re allowed to feel in ways that may have felt like shame at one point.

    Future Plans

    Dorothy is going on the road with “Women in Red Rooms” via tour as she plans to produce a documentary behind this world. She can see it growing teeth; becoming a brand beyond just poetry but film, television and animation as well.

    Links to Dorothy Jade socials, website: IG, twitter, threads @dorothviade and my site will be launching soon at dorothviade.com.

    Don’t forget to get Dorothy Jade’s book

    Women in Red Rooms” here!