Tag: indie publishing

  • The Spill: Vol. 8- TransOhio, New Zines, and More

    The Spill: Vol. 8- TransOhio, New Zines, and More

    Trans Ohio Symposium Announcement:

    I’m honored to announce that I’ve been approved to speak at the upcoming Trans Ohio Symposium. This marks my First time presenting, and I’m eager to contribute to this vital conversation.

    Quick Backstory:

    I slammed this zine together for the Symposium and edited it in under a week. I still managed to work my five 12-hour night shifts and then drove all the way to the Red River Gorge after work on Wednesday morning. Yes, following my Tuesday night shift. Explored rock hounded, collected a bank of amazing views, wandered trails, and didn’t make it home until 3 a.m. Thursday. I then still got everything ready and out the door. To the TransOhio Dropbox for set-up. That’s the kind of grind behind these projects.

    Exploring New Community Platforms:

    I’m actively seeking more inclusive and functional community platforms beyond Discord. Currently, I’m considering:

    • Engayge: nonprofit social networking platform designed for LGBT+ communities. Offers Business listings and events with an aim to uplift the LGBT+ community through connection, resources, and support.

    • Twitch: For streaming and connecting live with community members, potentially for readings and discussions.

    • Sup: Community app providing support and connection for individuals facing life challenges.

    I’ll share updates once I test these platforms to see which align best with our community’s needs.

    Amino App Warning

    It’s important to note that Amino has serious safety concerns. The app has been repeatedly flagged for predator activity, ineffective moderation, and exposure of users, particularly minors, to unsafe situations. Reports from parents and monitoring groups highlight grooming incidents, inappropriate content, and predatory behavior as ongoing risks. Due to these verified safety issues, Amino is not a recommended space for community engagement, especially for youth.

    New Zine Releases

    I’m thrilled to share the latest zine Zipper Titty, following my model separating zines from e-books. It includes six add-ons, one of which is a collector image unique to this edition.

    Additionally, a new zine is in the works & shhhh, it is a secret for now, a little different from my usual style, so stay tuned.

    Recent Poetry Highlights

    • Miss Me With It – On toxic friendships and moving on. Read it here.

    • Them – Reflections on falling in love with my partner and cherishing the moments of true happiness.

    • Yuletide Fire – My contribution to Forever With Pride, coming in the Christmas Catalog.

    Voices for the Voiceless & The Joy They Can’t Erase

    These zines remain central to my work, amplifying marginalized voices and celebrating resilience and joy. They’re available for anyone seeking powerful, inclusive narratives. To contribute to until 12/12/25 at least.

    Closing Thoughts

    There’s a lot on the horizon: new platforms, zines, poetry, and adventures.
    Thank you for being part of this journey, for reading, and for supporting these projects.
    Stay tuned for more updates, and keep exploring with me! 

    Poeaxtry’s 🔗

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  • Zipper Titty: 18-Page Trans Poetry Zine

    Zipper Titty: 18-Page Trans Poetry Zine

    What Is Zipper Titty?

    Introducing Zipper Titty, the newest zine from Poeaxtry_. This 18-page collection including the cover, table of contents, dedication page, 14 bold poems, and an end page, creates a complete and immersive reading experience. Each page is designed to pull readers into a world that is honest, dysphoric, positive, and deeply rooted in transgender experiences.

    The name Zipper Titty reflects humor, reclamation, and a bold transmasc perspective. The work leans into identity, embodiment, and resilience. While the zine carries a transmasc viewpoint the add-ons are useable and meaningful for readers of any gender identity as well as the general themes, just from a transgender man’s point of view.

    What Makes This Zine Special?

    Zipper Titty is completely independent from the TransOhio Symposium seminar I am giving. Each copy comes with the collectable zine specific image and at least 5 other add-ons. These elements are meant to be explored, revisited, and treasured by collectors and readers alike.

    This is my second zine released to date , so it also introduces the second collector’s image in the Poeaxtry_ series. Every detail, from layout to crafted add-ons is developed to provide a full, immersive, collectible, and resourceful zine experience.

    How Was Zipper Titty Created?

    I realized Saturday night… because of an email filter I didn’t know existed I found out I had actually been approved to speak at Ohio’s 16th Annual Transgender &y symposium. Despite the late realization, I had everything ready by Friday night way before my Monday deadline. This means I made an entire speaking layout, a zine, all the zine add-ons, 2 companion handouts, a PowerPoint presentation, and edited it all. The attendees of the symposium do get the zine for free and another digital copy to gift a homie. The zine itself, however, stands alone as an independent work, and its add-ons and content are not tied to the presentation or handouts. This was a way I saw to allow the attendees to experience some of my work after hearing about it, and to allow them to gift it to a friend. This also is open to other speakers at the symposium to grab a handout to download and or gift.

    What Interactive Elements Are Included?

    Interactive elements hidden throughout the zine hide individual letters missing to complete the url to receive 3 extras by finding bold, italic, and yellow letters to spell different words, 3 QR codes link to at least 3 extras as well for quicker access to some ad-ons. Other instructions to find any additional add-ons may be placed through the material, so keep your eyes peeled!

    How Can You Get Your Copy?

    Someone told me you wanted a copy, so I’ll let you in on how:

    TransOhio Symposium Attendees, speakers, and the Homies of anyone there have access to a Free download.

    Everyone Else: $4.99 via Poeaxtry_ stores. This version (like any other zine) does include all add-ons and the collector’s image (handouts tied to the presentation are not included). And if you’d like it on a free for honest reviews model I’ll be glad to provide you a free download discount, after we go over what that entails.

    Email Poeaxtryspoetryprism@gmail.com and ask about How the free E-books & E-zines for honest reviews model works.

    Or

    check out my ✨Poeaxtry’s Contact Page ✨ for other ways to get ahold of me for all things Poeaxtry related.

    Why Does Zipper Titty Matter?

    Zipper Titty is more than poetry, it’s a resource containing interactive experience. While it also makes trans positive artwork and solidifies transgender identities. Therefore, making the ability to erase our existence impossible. Its 18 pages, 14 poems, multiple add-ons, and resources make it a must-have for LGB people, trans community members, allies, and anyone who wants to engage with bold, immersive transmasc artistry.

    Find all my shops and more: All things Poeaxtry any time

    Or

    Read more about my panic upon finding the email from TransOhio so late here:

    TransOhio 16th Annual symposium- Here Axton Comes

    And some of my work is here if you wanna look at it:

    Poeaxtry’s Link

    What are your experiences with transgender poetry? Have you collected zines before?

    Share your thoughts in the comments!

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  • The Things That Make Me Lose Track of Time-in The Best Way!

    The Things That Make Me Lose Track of Time-in The Best Way!

    Which activities make you lose track of time?

    Some things just pull me into a rhythm so deep that I don’t notice the hours passing. I’ll forget to eat. I’ll forget to check my phone. When I finally look up, and it’s dark outside or way later than I thought it was. That timeless focus doesn’t happen with most things, but it happens to me in very specific moments.

    Hiking is one of the first thing I found. There’s something about being on a trail where I don’t know exactly where it ends or what I’ll find. When the sounds of the world disappear, I only hear the crunch of my steps. I also hear the rush of water, wind, or leaves. Then I settle into my body in a way that makes everything else fade out. Whether it’s a steep climb or a gentle creek side path, I lose track of time. I become one with the woods.

    Rock hounding is something I love. I will spend hours hunched over riverbanks, dry creeks, or piles of rock debris. I’m always searching for a glimmer of something hidden. The longer I stay, the more I see, and the more I see, the more I want to keep going. It’s never really about the end result. It’s about the process of looking. Honestly, it really is about the small discoveries. It’s about that quiet rush when I find something beautiful that the earth tucked away for me to notice.

    Exploring towns pulls me in. Forgotten roadside stops capture my interest. Waterfalls are equally compelling. Just wandering through places with history or color captivates me in the same way. I like stumbling into things I didn’t plan on. Murals, statues, old buildings, chalk art, or just a view I didn’t expect. When I’m on foot in an unfamiliar place, I usually don’t check the time. I only do so if it’s necessary.

    Then there’s the creative side of me that gets lost too. Writing poetry, making zines, laying out pages or trying to pull together themes for a collection. This takes me out of everything. I blink, and four hours have passed. I’ll go back and read something I don’t even remember writing. That space of creating is one of the few places I feel like I can just exist without pressure. It’s just me and the page. Me and the words. And that feels safe.

    When I lose track of time, it typically means I’m doing something I actually care about. Something that connects me to myself or the world in a way that feels grounding or real. I don’t think losing track of time is a bad thing. I think it’s one of the few times I’m fully here.

    And I need that.

    I think we all do.

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  • HEXON PIRATES™: A Curse for Thieves, A Blessing for the True

    HEXON PIRATES™: A Curse for Thieves, A Blessing for the True

    🧿 HEXON PIRATES™

    and anyone who lies their way into free things without holding up their end.

    This work is protected. Not just by law. Not just by copyright. But by the kind of energy you don’t wanna test.

    If you received any item for review, you agreed to leave a review. If you downloaded it for free, or received it free, you were trusted to honor that gift. If you bought it, you supported a living, breathing creator, and I thank you.

    But if you:

    • Lied to get a free copy and never reviewed it

    • Forwarded it to friends without permission

    • Uploaded it to some free-for-all site

    • Took screenshots or pages and gave them away

    • Tried to “share the love” without sharing the credit

    Then congratulations!!! 🎊 you’ve activated the HEXON PIRATES™ clause.

    You’ve chosen to steal from someone who puts protections into every line. This isn’t just art. This is spellwork. Bloodwork. Boundary.

    You’ve crossed it.

    🕯️ What happens next is not mine to decide. It’s already been decided. 🕯️

    So go ahead. Eat the rich. But don’t come for the little indie poet.

    Not unless you’re ready to feel what gets thrown back.

    Links poem

  • Publishing With Purpose: Uplifting Marginalized Voices with Creative Collabs — by Axton N. O. Mitchell

    Publishing With Purpose: Uplifting Marginalized Voices with Creative Collabs — by Axton N. O. Mitchell

    Current Goals & Future Visions

    🖤📣✊🏽✍🏿🌍

    Right now, I’m just an indie poet, self-publishing, editing, creating, and promoting my own work from the ground up. I’ve only recently started submitting my poetry to outside publications, and I’m already seeing the work pay off. Two LGBTQ+ magazine partnerships are in progress, and I’ve got multiple collections brewing on my own terms.

    But this was never just about me.

    Honestly, if I ever experienced a come-up, would it even be a come-up if I did it alone? If I didn’t reach back and bring others with me? If I didn’t use that platform to spotlight the very people I was once, and still am, standing among? If I didn’t at least try to put them in the same place as I. I mean I can’t make anyone else’s work a hit but, I can at least try to bring anyone who wants to along for the ride.

    The current goal is to build and release themed collections of art and writing created by minority communities, impoverished individuals, and anyone who has been politically or socially silenced. I’m talking about the people who rarely get the spotlight, not because they lack talent, but because the system makes excuses not to see them.

    To pack the punch or add more power and meaning, some collections will also include pieces by true allies. The people who stand firmly with us, even if they are not directly affected. Because sometimes the people on the other side only start listening when the truth comes from someone they view as “like them.” When cis, straight, white people…. No shade but, especially men of average or higher socioeconomic status speak up, other men are more prone to stop and listen. That pause can lead to understanding. And sometimes, that understanding becomes one more changed person, or even the start of what will come to change the person. Allies have a role. Not to speak for us, but to speak with us and to challenge the circles we cannot always safely enter ourselves.

    Each contributor to these projects will have at least one piece included in the final publication, as long as their work aligns with the theme of the project they’re submitting to. In many cases, all of their pieces or many may be featured. The goal is to create a space for minorities to share not to create another loop of submitting their work and then not getting a chance. Art and literature are both things that are not accurately defined by “good or bad” and should be up to each person who has the opportunity to experience the piece. So, no I won’t bother excluding any creator who is in theme and mutually respectful simply because they create art that is not necessarily my taste.

    However, this space does not tolerate bigotry disguised as art or resistance. If it becomes known that a contributor has actively spoken against or harmed any marginalized group, they will not be included. We all have a place. We all belong. But I do not work with people who are not accepting of differences that are not harmful to others. If someone has made appropriate, sincere apologies and shown clear evidence of growth and changed behavior over time, we will reconsider them. But I make no space for underdogs who are just as guilty of stepping on the necks of other oppressed groups to make themselves feel powerful. That’s not resistance. That’s replication of oppression, and it won’t be welcome here.

    After each creator’s final piece a short bio they write themselves will be included, with space for links to their websites, social media, and online stores. This way readers and art lovers can find their favorite contributors. Artists may also opt to remain anonymous, but must let me know in writing if they wish to do so.

    Submissions are open to anyone 18 or older, in any country.

    Because American politics and media don’t exist in a vacuum. Our choices ripple out globally. Pretending they don’t is a privileged stance, and I’m not interested in gatekeeping based on borders. Don’t bother. I won’t be hearing how the world is following the same path Trump is paving against transgender people and yet you somehow don’t see the effect or the cause.

    The Bigger Picture

    This isn’t just a one-off. This is the beginning of something more.

    My long-term goal is to create a full publishing company, one that centers and uplifts the work of marginalized artists, especially those coming from impoverished backgrounds, queer and trans communities, BIPOC artists, disabled creatives, neurodivergent voices, and more.

    A space where we stop handing the mic to cis actors to speak over trans lives. Where we stop letting white actors play all races on screen. Where we stop making queer people audition for lives they’re already living.

    I want to build something that funds and amplifies the real stories of real people. Not inspiration porn. Not watered-down versions. Not token diversity.

    Actual lived experience. Actual voices. Actual art. Here the art or literature degree you hold is the thing that makes you not a fit candidate. When usually it’s used as a substitute paywall. You know, not many people who face poverty get degrees. If they do they have to be lucrative positions. Though situations are and changing if you are a fit and also have a degree I would never want to work against you so please do at least explain how you fit and submit.

    The most important and the least obtainable goal is to offer payment for submissions, paid collab content. I know that you must walk before you run, and I know that offering things for free to read while we grow will boost the ability for the contributors to be heard. However, creating isn’t charity. It’s overdue recognition.

    Call for Core Contributors

    If you’re interested in becoming a core contributing member to these goals, both current and future, please reach out by email or through any of the contact methods listed on my Connection Page.

    Core contributors are not required to submit art or writing to the collaborative projects, though they are welcome to, but instead assist with the behind-the-scenes work. This may include editing, promoting projects, reaching out to other marginalized artists, helping create and plan future collaboration themes, uploading projects to indie storefronts, seeking out new partnerships and visibility opportunities, and helping grow the foundation that will become a fully functional publishing company.

    Expectations and Structure

    Core contribution is voluntary on your part and not automatically guaranteed on mine. Contributors must commit to a few hours each week to the tasks they’ve been approved for. Missed deadlines without prior communication will result in your removal from the contributor list. All work will come with at least one month’s notice. There will be no last-minute surprises. You will always be credited for your work, even if your role is discontinued.

    If you help develop a concept for a collaborative project, that idea may continue to be used by me and the future publishing company, with full credit always given, unless we’ve agreed in writing that it won’t be.

    This is about building something sustainable. Something honest. Something real.

    We grow together. We hold space for each other. We amplify each other’s voices. This is community, not hierarchy. It’s effort, not ego.

    Core contributors are the first to be considered by me when the goal to offer payment for creators is a reality. The eventual need for paid employees will hopefully also be the next step and anyone interested who has contributed previously or currently will be eligible before any new individuals.

    The need to expand and improve may not always be something foreseen and if the company needs to pivot to become a better more successful company we will do so, BUT we will always have the same base core value of creating a space where minorities are listened to, respected, valued, and never spoken for.

    Stay tuned. Stay loud. Stay rooted in what matters.

    Questions? Comments? Concerns? Ready to take the plunge with me? Poeaxtry@gmail.com

    — Axton N. O. Mitchell (@poeaxtry_)

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