Every so often, a simple idea creates a creative avalanche. I’m hoping that this will be that.
Write a poem a day.
But do it for one hundred days.
Then share it publicly.
No paywall, no panel of judges, no polished submission packets, no gatekeeping. Just writers showing up where they are, writing through whatever weather they’re standing in.
I’m joining in.
Not because I want more pressure, or because I think productivity equals worth, but because poetry thrives on repetition, attention, and witness. A poem a day doesn’t have to be perfect. It has to exist. It has to respond. It has to mark time. It is practice, which we all have been told makes perfect!
For indie poets, marginalized writers, and creatives working outside institutional publishing, challenges like this matter. They create visible momentum. They pull poetry out of private notes apps and put it back into conversation. They remind us that poetry isn’t precious, it’s necessary.
This post documents my entry into the challenge, and it begins with day one, where else?
Day One of One Hundred
“Ice”
It’s cold outside,
my desire is on fire,
something more just out of
r
e
a
c
h.
The plows came through these
Appalachian city streets,
though the ice stayed
Immigrant mothers pray
for their brothers,
others try to feed their
families.
No matter the kind,
crushed ice
is my favorite.
Poet’s Note
This poem lives in the overlap between weather and policy.
Between what freezes naturally and what is enforced.
Ice shows up twice here. Once as winter, salt trucks, plows, and streets that look cleared but still aren’t safe. The other time as ICE, immigration enforcement, the quiet terror that doesn’t melt when the roads do.
Crushed ice is impact. It’s aftermath. It’s what happens when something large and heavy moves through a place and leaves fragments behind.
I didn’t want to explain the metaphor inside the poem. I wanted it to sit unresolved, because that’s how it exists in real life. Some people experience winter. Others experience surveillance. Sometimes it’s both, at the same time, in the same city.
Why This Challenge Matters to Me
Writing a poem every day for one hundred days isn’t about proving discipline. It’s about practicing attention. About letting the world interrupt me and answering back in language.
As an indie publisher, poet, and community builder through Poeaxtry and The Prism, I care deeply about visibility for small voices, especially voices that don’t get invited into traditional literary rooms. A public challenge hosted on a platform like Threads lowers the barrier to entry. It lets poets write in public without asking permission.
This is also about sustainability. One poem a day is manageable. It fits between work shifts, hikes, grief, anger, and ordinary survival. Over time, those daily poems become a record, not just of craft, but of living through a specific stretch of history.
If you’re participating too, or considering it, this is your nudge. You don’t need permission. You don’t need an audience. You just need to start.
One poem today.
Then another tomorrow.

