Tag: creative process

  • Marketing My Own Work

    Marketing My Own Work

    Daily writing prompt
    Something on your “to-do list” that never gets done.

    There is always one task on my to-do list that survives every day intact. It migrates from planner to planner, untouched but never forgotten. It is not writing, creating, or even finishing the work itself. Marketing is a monster that haunts me. Photographing products. Writing sales captions. Uploading physical items to my digital storefronts. Prompting people to look, buy, or choose my work.

    For a creative business built on handmade objects, poetry, and intention, this resistance is not accidental. It is structural. It lives at the intersection of vulnerability, capitalism, and self-worth. This post is an honest look at why marketing is the task that never gets done. And why that does not mean failure.


    The Work I Can Do vs the Work That Stops Me

    I can make things.

    I can hike for hours to find stones, clean them, shape them, and polish them. Then I can turn them into objects meant to be held.

    I can write fifty poems in less days. I can design books, zines, rituals, and tools for reflection.

    But when it is time to:
    • post photos, videos, or content

    • adjust pitches

    • write product descriptions

    • decide pricing

    • post sale content

    • upload or update listings

    My brain locks.

    This is not because I do not believe in the work. It is because marketing requires a different kind of exposure. Creation asks me to speak. Marketing asks me to persuade.


    Why Marketing Feels So Much Harder for Creatives

    Marketing your own work collapses the distance between who you are and what you are selling. There is no buffer. No corporate logo to hide behind. No separate sales department. It is just you, asking strangers to exchange money for something that came from your hands, your time, your inner world.

    For many creatives, especially indie makers and minority voices, this triggers several pressures at once:

    • Fear of being seen as self-promotional instead of sincere

    • Fear of pricing work honestly and being judged

    • Fear of rejection that feels personal, not professional

    • Exhaustion from learning platforms designed for volume, not care

    The system rewards loudness and speed. Handmade work is slow. Poetry is quiet. Marketing does not respect that by default.


    The Photography Problem No One Talks About

    Photographing physical items sounds simple until you do it.

    Light matters. Backgrounds matter. Consistency matters. Algorithms reward polish. Handmade objects resist uniformity. Every stone is different. Every piece has its own shape, reflection, and mood.

    By the time the camera comes out, I have already done the hardest part, the making. The photography feels like a second unpaid job layered on top of the first. When the images are not perfect, my brain whispers that the work itself is not enough.

    That whisper is a lie, but it is loud.


    Uploading Is Emotional Labor

    Uploading a product is not just clicking buttons.

    It is choosing categories that do not quite fit.

    It is compressing meaning into bullet points.

    It is deciding how much your time is worth in a field that consistently undervalues creative labor.

    Each listing becomes a small act of self-advocacy. Doing that repeatedly, especially while managing chronic stress, neurodivergence, or limited energy, turns a simple task into an emotional drain.


    This Is Not Procrastination, It Is Friction

    Calling this procrastination misses the truth.

    The task does not get done because it contains too many invisible costs. Emotional exposure. Decision fatigue. Platform literacy. Self-doubt. Capitalist pressure wrapped in friendly UX.

    When the cost outweighs the available energy, the task stays on the list.

    And I do eventually get the background noise and tasks completed. Just not at the rate that I wish to or, honestly, that I need to.


    Reframing the Unfinished Task

    The problem is not that I am bad at marketing.

    The problem is that marketing was never designed for people who build slowly, feel deeply, and create with intention.

    Instead of forcing productivity shame, I am learning to:
    • batch marketing when energy allows
    • reuse content across platforms
    • accept imperfect photos
    • write descriptions like letters, not ads
    • let the store grow at a human pace

    Progress does not have to look aggressive to be real.

    The to-do list item that never gets done is not a personal failure. It is a signal. It points to where systems clash with values, where creativity meets commerce without a translator.

    I am still making the work. I am still building the archive. I am still here.

    Marketing will happen, slowly, imperfectly, in ways that respect my capacity. And that is enough to keep going.


    Email submissions to our Quarterly to Poeaxtryspoetryprism@gmail.com I am ALWAYS taking submissions for the next issue!


  • Poeaxtry creative expression: Poetry, Curated Collections, Freebies, Design, and Community Care

    Poeaxtry creative expression: Poetry, Curated Collections, Freebies, Design, and Community Care

    How are you creative?

    With Poeaxtry and the Prism creations creativity is not a single act, it is a network of choices, practices, and systems that produce many works with multiple meanings. Works are over time, across forms, mediums, and or lived experiences. I create through many different types of poetry collections, digital magazines, short stories, multiple curated freebies, visual design, blogging, ritual, craft, indie publishing, and community building.

    These practices all are used in a way that is reinforcing the others, each project designed for future forward thinking, accessibility, and connecting with others.

    This post will document how I am creative in action, not theory, and then it shows how a multi-disciplinary practice generates advocacy, community care, and minority motivation through creativity.

    Comment below the different ways you are creative or centered in community care! Let’s share and grow together!


    Poetry

    Poetry is the foundation of my creative practice, spanning themes like grief, politics, intimacy, survival, love, joy, and refusal,(just to name a few) across collections, digital freebies, quarterly zines, and ongoing work. I design every poem to function as a standalone piece, a thematic entry in a collection, or any spark of line that pops in my mind. I use observation, memory, emotional truth, and craft to transform experience into language, shaping rhythm, meaning, resonance, and reader reflection.

    Watpadd Quotev Booksie portfolio Poetizer

    Etsy payhip gumroad kofi Amazon


    Digital Free Quarterly Magazine

    The digital free quarterly magazine is a curated, layered, intentional creative project. That may include poetry, short prose, essays, visuals, ads for indie creatives etc, contributor work, and more sequenced for rhythm, accessibility, and community care. This is designed in Canva Pro, hosted webpage, serving as both community collaboration and minority movement. All indie and minority inclusions free to build and include work.

    Minority/ Marginalized community members may submit up to 10 poems, 10 art pieces (digital or photographic high definition), 2 prose, and or 2 essays . Allied creators with supportive works may submit 1/2 of the above cap. Submit by emailing poeaxtry@gmail.com or form.


    Short Stories

    Short stories one of the newer creative avenues in my experimental creative endeavors. These allow narrative exploration beyond poetry, experimenting with pacing, tension, voice, drafted, refined, and launched when the right format is finalized. Genres including horror-gore, splatter-punk, and or erotica layered together and creating space to confront fear, power, or boundary.


    Refusal as Creative Act

    Refusal in itself is a creative decision, choosing to publish, without willingness to conform. To continue holding space for deeper work, rejecting exploitative trends, building sustainable creative practices, preserving integrity, impact showing in project longevity, audience trust, and the ability to iterate without compromise, commas marking pause, consideration, deliberation.


    Hiking and Observation as Source Material

    Hiking and observation provide primary source material for different poems, blog posts, curated content, imagery, narrative inspiration, and more. Documentation through hiking journals, photos, videos, emotional reflections in authentic detail, and more.


    Systems and Strategy as Creative Problem Solving

    Systems and strategy turn scattered creative work into sustainable practice, organized collections, managing different free and paid offerings, streamlining digital publications, maintaining workflow across multiple platforms, ensuring creative output, and more


    Visual Design as Storytelling

    Visual design communicates narrative and tone, from digital magazine layouts, cover art, artistic spacing, typography, color, visually themed elements across collections, poem images (full poems or selected lines posted on socials/ website) . These things work to reinforce the emotional impact of literary work, and are designed in Canva Pro for consistency, readability, and aesthetic clarity.


    Blog Writing as Living Documentation

    Blog writing captures process, reflection, and documentation of ongoing creative practice, hikes, local outdoor historical or artistic places, calls for arc readers/ collabs/ street team and more, emotional journals, daily and random prompts, newsletters & small project memos, free indie spotlights, minority positivity, call outs of people in the media/ politics promoting bigotry, poems, and much more.


    Community Building as Collaborative Art

    Community building is creative labor, curating contributors, centering minority voices, hosting collaborations, structuring submissions, balancing recognition and visibility, creating interactive spaces, creative contests, giveaways, planning virtual and local open mic nights, and more.

    Submit Collaboration proposal, manuscript, art book, etc for Publishing by emailing poeaxtryspoetryprism@gmail.com or form. Volunteer to Mod community spaces or curation etc for community collabs and more email poeaxtry@gmail.com or submit this form


    Ritual and Spellwork as Intentional Design

    Ritual and spellwork translate intention into structured action, combining symbolism, timing, materials, and purpose. This are made to impact both maker and recipient.

    Physical items tarot & pendulum readings on gumroad and payhip


    Handmade Craft as Grounded Creation

    Handmade craft embeds creativity in the physical, tactile, and material, including rockhounding, tumbling, polishing, lapidary art, jewelry design and making, keychains, wands, wreaths, windchimes, natural sprays, tinctures, beanies, shirts, hybrid print pamphlets, small printable/ digital use zines, and much more. By creating functional objects from raw stone, bones, crystals, wood, herbs, and more, design reflects manifestation/emotion/ etc.

    Etsy


    Indie Publishing as Architecture

    Indie publishing is the architecture that holds all creative output, from solo collections, poetry, collaborative projects, structuring, sequencing, designing, optimizing, and distributing work, ensuring longevity, discoverability, and accessibility.

    I am creative through layered, intentional practice, through poetry, digital publications, short stories, hiking, visual design, blogging, rituals, craft, and indie publishing, each practice informing the others, each project structured for longevity, visibility, and impact, connection, the ongoing evolution of work, creativity as living, adaptive, functional. These are all deeply embedded in process and practice.


    Send this post to a friend who you think would be interested in submitting to a no denial based on artistic taste submission.


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